That’s how it is for me in all my books, I want to immerse the reader in the whole human experience. I want them to understand, really understand, the stakes involved. When the heroes, their loved ones – loves and friends – are at risk, I want the reader to experience the journey of love, loss, threat, fear, with them. Every detail is necessary and nothing is gratuitous. If two people love each other, they’ll express that in the ways that people do. Finding those people who care about them on the deepest levels, the risk of losing those precious lives, are tied to the memories of them at the most intimate moments, when they can express themselves heart to heart. Friends will remember the times they spent talking over breakfast, lunch, or dinner, laughing sometimes, or being there through the struggles of life. Lovers will remember those moments when they shared their love for each other, held each other, curled up around each other to talk, to solve the problems of the world, sharing joy, or easing each other’s sorrow. That’s what it’s all about. That’s what makes life worth living, for the people in the book, and those who are reading it.Read More »
A few years back I was inspired to write a political action thriller. An avid news reader, I’d been accumulating odd bits of information on a variety of subjects, including politics, terrorism to drug trafficking. One source of puzzlement was why this country has no truly fast response group, so for the purpose of the story I invented one, the National Intelligence Organization – a purposely vague title both for the agency in the book and for the book itself. Rather than our somewhat militaristic approach of wait, assess and engage, the NIO was designed to go in and assess on the run and neutralize the situation fast with as little loss of life as possible.
I’m a bit of a global thinker, putting together facts that seem random but have since proven to be not so fanciful.
The NIO is a case in point. Imagine my surprise when it turns out that in real life the Israelis have something very like the NIO for combatting terrorism, but they’re more public about it. (The Israelis also don’t allow women agents, just data gatherers, unlike Nike.) The NIO of the book isn’t public, they prefer staying in the shadows, and sharing the information they gather, or situations they deal with, to increase awareness and decrease any interagency issues.
Not to mention it makes for a darn good book.
Nike is a kick-ass woman who doesn’t take anyone’s sh*t!. She is rough, tough, and sexy appeal on a stick.
A reviewer gave it five stars – “Gripping and Emotional. Looking for a rip-roaring action thriller with great characters and emotion? You can’t go wrong with Nike’s Wings…”
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The #Epic #highfantasy #audiobook Song of the Fairy Queen! A tale of Kings, #wizards, #fairies, #magic, epic battles, and the alliances forged between nations and people. In print, ebook and now in Audio! With the brilliant Zak Price narrating! https://www.audible.com/pd/B07GY3PVYQ/… …
#writing #writerslife #author #books #ebook #audible
I’m delighted to announce that Song of the Fairy Queen is now available on Audible!
Song of the Fairy Queen
By: Valerie Douglas
Narrated by: Zak Price
Length: 15 hrs and 55 mins Unabridged
Audiobook Release date: 08-30-18
Publisher: Valerie Douglas
Song of the Fairy Queen
2018 Top Shelf Indie Book Awards Nominee
It’s said of Fairy that if you’re in dire need and you call their name they’ll come. With his castle under siege and his young son in his arms, High King Oryan couldn’t be in any more dire need. With only his Marshal, Morgan, and a handful of Morgan’s men at his back, he has only one direction left to run…up. And only one ally to whom he can turn.
Kyriay, the Queen of the Fairy.
Once before I dallied with the idea of doing audiobooks, starting with one of the novellas in The Coming Storm series – Setting Boundaries – a prequel to the series.
At best the result was ‘meh’.
The narrator was okay, but he was convinced fantasy had to be read with a ‘British accent’ – I’m not sure why. And his accent wasn’t really British. It wasn’t horrible, but there was just something… that wasn’t quite there.
I had wanted to have the whole series on audio with the same narrator but he wanted to try some of my other books. One after another, though, didn’t work out for him – he had problems with some scenes. Unfortunately, he bid on them, then turned them down, and then I couldn’t go on to other narrators.
So, I admit that I was a little leery about trying again.
This time I decided to try with my standalone fantasy, Song of the Fairy Queen. And, to be honest, I was scared whether anyone would be able to do the story justice.
I’m soooo glad I did. The narrator – Zak – is brilliant, he brings depth to the characters, energy to the story, and his voice is perfect. Listening is weirdly wonderful, I’m constantly caught off guard by the idea that I wrote those words that he is bringing to life. I can’t wait until it’s finished.
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