Posted on Feb 25, 2019 in #readers, #writing, About the writer, advice, books, novels, writers |
That’s how it is for me in all my books, I want to immerse the reader in the whole human experience. I want them to understand, really understand, the stakes involved. When the heroes, their loved ones – loves and friends – are at risk, I want the reader to experience the journey of love, loss, threat, fear, with them. Every detail is necessary and nothing is gratuitous. If two people love each other, they’ll express that in the ways that people do. Finding those people who care about them on the deepest levels, the risk of losing those precious lives, are tied to the memories of them at the most intimate moments, when they can express themselves heart to heart. Friends will remember the times they spent talking over breakfast, lunch, or dinner, laughing sometimes, or being there through the struggles of life. Lovers will remember those moments when they shared their love for each other, held each other, curled up around each other to talk, to solve the problems of the world, sharing joy, or easing each other’s sorrow. That’s what it’s all about. That’s what makes life worth living, for the people in the book, and those who are reading it.
Read More »Posted on Aug 20, 2018 in #writing, advice, audiobooks, books, epic fantasy, heroic fantasy, writers |
Okay, to be honest, I never considered myself to be an audio person, although I know a lot of people who use audiobooks for traveling to and from work or on vacation. I had my reservations about doing that (more on that later) but as with many authors I love my readers, so, as with print and e-books, I wanted to give those who liked audio the chance to hear my books.
So, a few years back I took the leap into audiobooks. I was excited, but I had trepidations. ACX/Audible was available through Amazon, so I set it up through them.
The process isn’t difficult, you choose the book you want to be narrated, give the blurb and basic information about the characters (what type of people were they), choose the type of narrator you want (male/female or both) and what kind of voice you wanted for it. (My advice to writers: think about that carefully.) Then put it up for audition.
I was really curious about the process – but remember those trepidations? Like all writers, I was protective of my work. Was the narrator going to do justice to it? Since this was the first book I was doing in audio, I wanted to dip my toes in, rather than go all out, so I put one of my novellas up. In the end, I was glad I limited that narrator to one story. (I like the new one much better, more on that later.)
Not surprisingly, since it wasn’t a full novel, I didn’t get a lot of requests for auditions, but I picked the one who seemed to fit the best and sent him a section of the book which contained all the main character but was focused mainly on one.
The audition didn’t set me on fire, but I wasn’t certain what to expect, the narration seemed good, so we set up the contract.
All readers bring their own stuff to books – that’s a truism all writer/authors need to learn. I had one reader complain that all the characters in one of my books were beautiful when only one – as I’d written him – qualified. (And the character hated it.) She clearly brought her own expectations to my book. It was also true of that first narrator, and I wasn’t experienced enough with audio production to know what I should and shouldn’t object to. It hadn’t been an issue in the audition since it was only a short reading. Now it became one. For some reason – too much of the Lord of the Rings movies, perhaps – he felt all the elves in the books had to have ‘British’ accents. All in all, though, it was about what I expected from audio. He was so satisfied that he asked to read some of my other books. The novella I’d sent him was a prep to the epic fantasy. It was a character-driven story about the genesis of a friendship between three men – a wizard and two elves. The epic fantasy, though, wasn’t the one he wanted to read, surprisingly – and now I’m glad. He requested to audition for another book but didn’t feel comfortable with some of the content, so he requested another. Nope. And another. None of them suited him. In the end, we parted ways.
All those failed auditions, though, seemed to discourage others from trying, and so for a time, I gave up. I hadn’t been enthralled with the first rendition, and it had been more than a little discouraging to me, too.
Recently, though, one of my books was nominated for an Indie book award. I was floored. I hadn’t done anything; someone had recommended it to the magazine.
Excited, I wanted to capitalize on the nomination, and so I decided to try audio again.
It was scary. Once more I was going to put one of my books into someone else’s hands. They say you should what scares you, especially in writing. Challenge yourself. So I did it.
This time I received more auditions. One was close, but another…
Wow. Just wow.
It was brilliant. His voice was exactly what I wanted and conveyed what I hoped.
So, we set up the process, and he began the narration. When the first chapter came back for me to listen to, I was enthralled – at my own writing! He brought the characters to life for me in a whole new way. And we worked well together.
Bless him, I’d hoped to have the complete first version by my birthday, but I’m not a complete newbie and know there is a process, so I accepted that might not be possible. But he did it, bless him, pushing himself to get it done. When I got the complete version for correction and approval I downloaded the lot and found I couldn’t stop listening.
I was stunned and flattered to learn I was one of his first narrations. And, given the quality of his work, I want to have his marvelous voice out there more.
I know that some authors have narrators they love to work and who love to work with them. Part of me wants that (actually part of me wants to keep his talent all to myself for a little while to do my other fantasy series *grins*) but he also deserves to have the opportunity to narrate for others. So, I hope this book and any others he chooses to narrate for me give him that springboard. He’s thoroughly converted me to the world of audiobooks.
So, for Indie/self-published and other writers, should you do audiobooks?
My obvious answer would be yes, but for reasons other than just this. Today print, despite what some traditional publishers believe, is not the be all and end all – it’s just another arrow in your quiver. Readers come in all kinds; e-book or print readers, or audio listeners. Some will read the book on an e-reader and then purchase the physical book. Some will only listen to audiobooks. You should serve all your readers. With the option to share the profit, it couldn’t be easier on all levels, and unlike print which pays pennies, with audio, you can split it fifty-fifty. So there’s every reason to do it and few reasons not to.
There are a few sites for audiobooks that are usually available through your publishing site of choice. Most will help you get started.
Here are a few suggestions –
- Be patient. Don’t settle. Listen to a lot of auditions and hopefully, you’ll find a voice that will make your story shine.
- Understand your narrator/producer’s process, recording, editing and re-editing, and that they have the same demands on their time that you do – home, family, day jobs. Things happen.
- When you get your book back, listen to it carefully. Make sure it conveys what you want. If there’s something you want to be changed, don’t be afraid to tell the narrator so they know. That’s what the process is for. As with editors, a good narrator will read the book, a great one will make it shine.
(Thank you, Zac, for making mine shine.)
Read More »Posted on Feb 14, 2015 in #writing |
First, because I love words too much. I’m a writer. Words are my paintbrush. They’re how I draw you, my readers, into the story and help you get to know the characters I love so much. (And some I hate.)
Second, I can’t write ‘down’ to my readers, I respect all of you, of them, too much. I trust you to understand, and if you don’t, to get understand by how a word is used.
What brings this subject up? Someone posted to a Facebook writers group I’m on that someone had instructed him that maybe he needed to write ‘down’ to his readers. There was an astonishing amount of debate on the subject.
I consider myself primarily a fantasy writer, although I love to write thrillers, and I wrote a four-part romance series. And, following the maxim of writing the things that scare you, I also wrote a horror novel based on a recurring nightmare, and a book about a young woman trying to overcome childhood abuse and grief to learn how to love again.
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| A sere desert – used in Demon’s Kiss |
However I also write erotic romance under a pen name, and I remember getting a virtually joyous letter from a fan waxing rhapsodic about how I had used the word ‘sere’ (for those who aren’t familiar with it, it means parched, dry) in an erotic romance. She was so happy to find a writer of erotica who used words like that.
My dear darling husband is one of the smartest men I know – he reads philosophical and religious non-fiction all the time to expand his understanding of those topics – but he was born in Appalachia and his spelling and familiarity with some words varies. He has no problem, though, with understanding words in the context in which they’re used, and if he doesn’t, he looks the word up. He’s smart that way. I think most of my readers are, too.
Read More »Posted on Nov 19, 2014 in #writing |
There isn’t much that’s more paralyzing than fear. Even worse, in my family, there wasn’t much support. Bullying gave it form. Our family had moved, and my sister and I were the new kids in school, which was difficult enough. Add to it that – for me – I was bright, wore glasses, but I was small, too. A perfect target. I was ostracized and subjected to daily attacks – tripping, pushing, even having snot rubbed in my hair. With little sympathy at home, I took matters into my own hands, and dared my chief abuser to fight me. No matter how many times he knocked me down, I got back up. I was suspended from school for a week but my bully also became my friend. I also knew we were moving again, and I was terrified. Even worse, in my family, you weren’t supposed to talk about your problems. So I didn’t, but the fear was still there.
As with so much in those days, treatment didn’t deal with the cause, just the symptoms. So they gave me this medication. It tasted awful, but deadened the fear, and enabled me to get through the day. My worst fears – of physical abuse – didn’t come true, but we had moved to an area where most of the students had grown up together so I still felt isolated and making friends was difficult. What few friends I did have were often what would be considered the ‘wrong’ choices – ostracized for being different themselves.
When we moved again, though, I was prepared. I had lost weight, I took off the glasses, and became somewhat popular.
Bullying, by the way, begins at home – both for the perpetrator and the victim. It certainly was true for me. I had been writing stories since I was a small child – especially as an escape. Knowing that my parents – and especially my father- wouldn’t consider sending me to college to learn creative writing, I decided to study journalism. That didn’t happen. In fact, both my parents would spend the next ten years sending me newspaper and magazine articles about how bad a career being a journalist was.
Needless to say, I was more than a bit discouraged. And then life chipped in. My first marriage was a classic example of domestic violence – which I at least escaped early.
Writing, in and of itself, is a difficult career – one which everyone feels they have the ability to do and the right to critique. *laughing* I couldn’t have chosen a more difficult job, although I did lots of others in the meantime.
Over time I would write over 20 stories, books and novels.
Then I was diagnosed with liver disease, and with it came a whole host of new problems. Not including the most terrifying one. At its worst, I woke up one morning absolutely panicked, and unable to remember how to do some of the most basic functions – like brushing my teeth. I couldn’t remember how to use mouthwash. Bless my husband, who got me calmed down. (No thanks to my doctor, btw, who had kept palming me off on nurse practitioners.) Memory returned. The fear, though, lingered in the back of my mind. I also found myself forgetting things, important things like words. And with that came doubt. Crippling doubt. No matter how great the idea, in an hour the doubt would set in. Is this any good? It was aggravated by every bad review, which only seemed to confirm my doubts. Despite all the good reviews my books received, the anxiety every time I try to write kills me every time.
I’m still working my way through it. Still fighting it. Wish me luck.
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Valerie Douglas is a prolific writer and genre-crosser, much to the delight of her fans. She reads and writes classic fantasy, romance, suspense, and as 
